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FVX Enterprise

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Audio Solutions for Your Event

A-1

Breakout Tech or Lead

A-1

As an A1, I take pride in designing and managing audio systems to deliver exceptional sound quality for every event.

Click bottom to see my role. 

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A-2

Breakout Tech or Lead

A-1

As an A2, I maintain a organized and efficient backstage environment to ensure everything runs smoothly for the A1 and the production team.

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Breakout Tech or Lead

Breakout Tech or Lead

Custom Audio Installations

As a breakout audio tech, I ensure each session runs seamlessly by setting up and managing audio systems with precision and reliability and as breakout lead As a breakout lead, I take charge of coordinating and managing all audio-visual aspects of breakout sessions, ensuring every detail runs smoothly. From setting up and optimizing sound systems to managing microphones, projectors, and other equipment, I guarantee clear communication and flawless execution. My leadership ensures the team is organized, prepared, and ready to adapt to any last-minute changes, delivering a seamless experience for presenters and attendees alike.

Custom Audio Installations

Audio Consultation Services

Custom Audio Installations

As a sound system installer, my role is to design, install, and configure audio systems to meet the specific needs of clients or venues.

Some of my work

Audio Consultation Services

Audio Consultation Services

Audio Consultation Services

Not sure what type of audio equipment or installation is right for your business? I offer consultation services to help you make the best decision for your needs and budget.

Audio Equipment Rentals

Audio Consultation Services

Audio Consultation Services

Need audio equipment for a one-time event or project? 

I offer affordable rental options for our high-quality audio equipment, to mention a few L'Acoustics, D&B, JBL,Yamaha.

Audio Troubleshooting Services

Audio Troubleshooting Services

Audio Troubleshooting Services

If your audio equipment is in need of repair, I can diagnose and fix the problem quickly and affordably.

Request Service

Audio Training and Workshops

Audio Troubleshooting Services

Audio Troubleshooting Services

Looking to improve your audio experience in your venue or your A/V team? I offer training and workshops for all type of levels.

Contact Me

Sales

Audio Troubleshooting Services

Sales

“I specialize in selling professional audio, video, and lighting equipment, providing clients with top-quality products tailored to meet their specific needs.”

Contact Me

A1 ROLE

In the audio industry, an A1 (Audio Technician 1 or Lead Audio Engineer) is the primary person responsible for designing, managing, and executing the audio aspects of a production. Their role is pivotal in ensuring high-quality sound for live events, broadcasts, or recordings. Here are my main responsibilities of an A1:


1. System Design and Setup

• Designs the overall audio system for the event or production, including placement of speakers, microphones, and monitors.

• Determines the appropriate equipment needed (e.g., mixing consoles, processors, amplifiers) based on the venue and event requirements.

• Oversees the installation, configuration, and testing of audio equipment.


2. Front-of-House and Monitor Mixing

• Operates the main mixing console, adjusting levels, EQ, effects, and dynamics for the audience (front-of-house) or performers (monitors).

• Ensures a balanced and clear sound experience, adapting in real-time to changes in the performance or environment.


3. Team Leadership

• Supervises the audio team, including the A2 and other technicians.

• Assigns roles, such as wireless mic management, stage operations, or system maintenance.

• Communicates with other departments, such as lighting, video, and stage management, to ensure smooth integration.


4. Troubleshooting and Problem-Solving

• Diagnoses and resolves technical issues quickly during events to prevent disruptions.

• Ensures redundancy and backup systems are in place to handle potential equipment failures.


5. Sound Design and Creative Input

• Collaborates with directors, producers, or event organizers to achieve the desired audio aesthetic.

• Integrates sound effects, music, or voiceovers where needed, tailoring the soundscape to the production’s needs.


6. Communication and Coordination

• Acts as the main point of contact for all audio-related matters during the event.

• Coordinates with performers, presenters, or talent to ensure they are comfortable with their audio setup.


7. Compliance and Safety

• Ensures compliance with regulations, such as maximum sound pressure levels (SPL) and wireless frequency allocations.

• Prioritizes safe setup and operation of all audio equipment.


7. Compliance and Safety

• Ensures compliance with regulations, such as maximum sound pressure levels (SPL) and wireless frequency allocations.

• Prioritizes safe setup and operation of all audio equipment.


Key Skills for an A1

• Advanced knowledge of audio systems and signal flow.

• Expertise in mixing live sound in a dynamic environment.

• Strong leadership, communication, and organizational skills.

• Problem-solving ability under high-pressure situations.

In summary

The A1 is the leader of the audio department, responsible for delivering high-quality sound and managing all aspects of the audio operation. This role requires both technical expertise and the ability to adapt to the creative and logistical demands of a production.

what do i bring to the table

My Pelican Case ( Show Box )

My Pelican Case ( Show Box )

My Pelican Case ( Show Box )

When a company hires me as their A1 for an event, I bring all the essential tools for a flawless execution, including my laptops, LCD screen, QLab software, wireless routers, iPad, headset microphones, audio interfaces, shotgun microphones, VOG mic and more.


MY WORKFLOW

My Pelican Case ( Show Box )

My Pelican Case ( Show Box )

My workflow includes a Mac laptop running DJ Pro for walk-in and walk-out music, along with Smaart 9 connected to an external monitor for system analysis. Another Mac is dedicated to QLab for play-ons, with Workbench running in the background. I also use an iPad connected via a wireless router for remote console control, a QLab remote controller, a VOG mic, and all necessary stands and accessories to ensure seamless operation.

A2 ROLE

In the audio industry, an A2, short for Audio Technician 2, plays a critical support role, often working under the direction of the lead audio engineer (A1) in live sound, broadcasting, theater, or studio environments. Here are my primary responsibilities of an A2:


1. On-Site Setup and Maintenance

• Assists in the setup, configuration, and testing of audio equipment, such as microphones, monitors, speakers, and intercom systems.

• Ensures all cables and connections are securely and correctly placed.

• Troubleshooting on audio gear.


2. Backstage or Field Support

• Operates backstage or off-site during events, managing wireless microphone systems, in-ear monitors (IEMs), and communication systems.

• Responsible for mic’ing up performers or presenters, ensuring proper placement and minimal interference.

• Monitors equipment for potential issues during the performance or broadcast.


3. Communication and Coordination

• Acts as a bridge between the A1 (front-of-house or main engineer) and the stage crew or performers.

• Facilitates communication via intercom systems to ensure smooth operation of audio cues and changes during the event.


4. Wireless Frequency Management

• Manages wireless frequency coordination to avoid interference, particularly in complex environments like live performances or large-scale events.


5. Troubleshooting and Problem-Solving

• Handles any audio-related issues that arise in real-time, ensuring minimal disruption to the event or recording.


6. Support During Rehearsals and Soundchecks

• Assists the A1 in testing audio levels and making adjustments as needed.

• Works closely with talent during soundchecks to ensure comfort and optimal sound quality.


In summary

The A2 ensures that the technical and logistical aspects of audio operations run smoothly, contributing significantly to the success of live events and productions. This role requires strong technical knowledge, attention to detail, and excellent communication skills.

What do I bring to the table.

My Pelican Case ( Show Box )

When a company hires me as their A1 for an event, I bring all the essential tools for a flawless execution, including my laptop, LCD screen, QLab software, wireless routers, iPad, headset microphones, audio interfaces, shotgun microphones, and more.


Laptops & Monitors

When a company hires me as their A2 for an event, I bring all the necessary tools and expertise to ensure a flawless execution. I come equipped with my own laptop and LCD screen, enabling me to efficiently work with essential systems like Workbench, Clear-Com FreeSpeak, HelixNet, RTS, and more.

Organization is the key

As your A2, I prioritize maintaining an organized and highly functional workspace. I use a quick-release management system for lavaliers, allowing me to work more efficiently and perform my tasks faster than others.

Lavalier Accessoires

We all know that some talent can present challenges with their clothing, making mic placement crucial. I come prepared with a variety of magnets, clips, and other tools to ensure the microphone is positioned perfectly for optimal performance.

Some of my install

THE ROCK CHURCH
Kissimmee, FL

THE ROCK CHURCH

Kissimmee, FL


ORLANDO WEST CHURCH

Orlando, FL


CITADEL OF HOPE MINISTRIES

Leesburg, FL

MAJESTIC OF LIFE 

Orlando, FL

GLOBAL MINISTRIES

Nassau, Bahamas


Acceleration Church

Lockhart, FL

Transformation Ministries 

Nassau, Bahamas

THE ROCK CHURCH

Queens, New York


CASA DE BENDICION

Kissimmee, FL


DISCIPLE OF THE CHRIST

Gibsonmton, FL

I am available to travel both domestically and internationally.


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